Relics of ancient Hollywood unearthed

A sphinx in a scene from Cecil B. DeMille’s 1923 epic, The Ten Commandments.



She stares out with blank eyes from a roped-off area at a museum in California, a yellow sphinx rescued from the sands and lovingly preserved as an artefact of another age.

In this case, the age was about 95 years ago and the sands were the dunes by Guadalupe, in Santa Barbara. It was there that the great Hollywood director Cecil B. DeMille ordered the construction of an ancient city using plaster and paint. A palace 220m long, ornamented with statues of pharaohs and 21 sphinxes, rose over the sands, thronged with thousands of actors and actresses for the filming of his 1923 original version of The Ten Commandments.

It was the largest film set built, too costly to dismantle and store so, according to legend, DeMille had his Egyptian city buried in the sand rather than see it fall into the hands of a rival studio. Now, after a decades-long excavation, fragments of the set have gone on display in a small museum in Guadalupe, 290km north of Los Angeles. The head of the sphinx, found late last year, is the centrepiece. Almost 2m tall and weighing 136kg, it was the greatest relic discovered at the site.

Most of that old plaster city “is just rubble”, Doug Jenzen, executive director of the Dunes Centre, in Guadalupe, told the Los Angeles Times. “That’s what makes this so special.” About $US500,000 ($676,400) was raised to fund the excavations and Jenzen said another $US150,000 was needed to recover the body of the sphinx.

“It’s highly unlikely we’re going to find anything else of this quality. The fact it survived is miraculous,” he said.

Pondering the riddle of the more ancient sphinx, in Egypt, American essayist Ralph Waldo Emerson described a “drowsy” spirit who “broods on the world” and wonders: “Who’ll tell my secret, the ages have kept?”

The Guadalupe sphinx has a similar mysterious quality, though she has already offered more in the way of answers. At the time of its discovery, Jenzen said most of the paintwork had been preserved. “This is significant and shows that we’re still learning (about) historical movie production,” he said.


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